1
00:00:00,360 --> 00:00:01,359
It's daytime.

2
00:00:01,840 --> 00:00:05,220
Colin sits behind a metal gate,
fine-tuning a listening device.

3
00:00:06,560 --> 00:00:08,280
He wears a dark baseball cap.

4
00:00:09,280 --> 00:00:13,800
His eyes fix on a long-haired blonde
woman with blue eyes, sitting on a park

5
00:00:13,800 --> 00:00:15,880
bench. It's Tony Napier.

6
00:00:16,219 --> 00:00:18,780
Colin turns away as Nikki approaches
Tony.

7
00:00:19,400 --> 00:00:20,960
Tony offers Nikki a coffee.

8
00:00:21,300 --> 00:00:23,020
Nikki takes a seat next to her.

9
00:00:25,240 --> 00:00:26,560
I can't do it anymore.

10
00:00:28,680 --> 00:00:32,560
I'm like pacing in this rental with no
place to go. Government accommodations

11
00:00:32,560 --> 00:00:33,560
not to your liking.

12
00:00:33,880 --> 00:00:35,260
No, Nikki, I want to work.

13
00:00:36,200 --> 00:00:39,040
I want to be of service. So who?

14
00:00:39,560 --> 00:00:41,320
You know your loyalty's still in
question?

15
00:00:42,460 --> 00:00:46,040
Langley was 50-50. Half of them wanted
to see you locked up in some black site

16
00:00:46,040 --> 00:00:47,019
somewhere damp.

17
00:00:47,020 --> 00:00:48,820
The other half wanted you gone. As in
gone.

18
00:00:49,140 --> 00:00:50,540
Colin listens, emotional.

19
00:00:50,980 --> 00:00:53,800
Does he know that I'm coming back?

20
00:00:54,300 --> 00:00:56,280
She turns to Nikki, who swallows.

21
00:00:57,000 --> 00:00:58,000
Colin?

22
00:00:59,790 --> 00:01:00,790
No, not yet.

23
00:01:03,930 --> 00:01:04,930
I'll be in touch.

24
00:01:25,950 --> 00:01:30,010
A hand reaches out and grabs a shot from
an adjacent tray, dropping a substance

25
00:01:30,010 --> 00:01:31,070
into the amber shot.

26
00:01:31,570 --> 00:01:34,450
Later, a server carries a shot to a
dining table of men.

27
00:01:34,750 --> 00:01:38,570
A middle-aged red-haired man grips the
shoulder of a younger brunette man.

28
00:01:39,390 --> 00:01:43,830
Subtitle. That's when Pasha started
running like a little girl, arms waving.

29
00:01:44,250 --> 00:01:47,650
Yeah, little girl, okay. The building
was on fire, I didn't have a choice.

30
00:01:47,970 --> 00:01:50,330
Pasha, it was only the outside, what are
you talking about?

31
00:01:50,530 --> 00:01:53,690
We've heard this story a million times,
let's drink. And we've been watching

32
00:01:53,690 --> 00:01:55,230
your ugly face, yet we don't complain.

33
00:01:58,149 --> 00:02:00,090
The table of men raised their shots.

34
00:02:00,510 --> 00:02:01,510
Okay, a toast.

35
00:02:01,730 --> 00:02:04,810
To health. To love. To Pasha. Thank you.

36
00:02:05,250 --> 00:02:06,730
Who I have taught everything I know.

37
00:02:07,610 --> 00:02:09,270
Even when he did not want to learn.

38
00:02:09,610 --> 00:02:11,410
Especially when he did not want to
learn.

39
00:02:12,870 --> 00:02:14,750
And to the future of our great country.

40
00:02:15,560 --> 00:02:16,700
To the motherland.

41
00:02:17,440 --> 00:02:18,440
To Russia.

42
00:02:18,620 --> 00:02:19,780
Hooray, hooray, hooray.

43
00:02:20,160 --> 00:02:23,260
Pasha, the brunette man, pats the
red-haired man's shoulder.

44
00:02:23,480 --> 00:02:27,600
A brown-bearded man watches closely as
the red-haired man drinks the amber

45
00:02:27,600 --> 00:02:28,600
shot.

46
00:02:28,660 --> 00:02:32,180
Later, the red-haired man sits up in
bed, clutching his midsection.

47
00:02:32,780 --> 00:02:36,200
His face is clammy, and he staggers as
he rises from the bed.

48
00:02:36,980 --> 00:02:38,020
His vision spins.

49
00:02:38,620 --> 00:02:40,940
He slows to a stop, shakes his head.

50
00:02:41,260 --> 00:02:45,100
then puts two fingers down his throat,
forcing himself to vomit out of frame.

51
00:02:46,000 --> 00:02:49,500
He shakily descends a wooden staircase
with a hardwood banister.

52
00:02:50,780 --> 00:02:55,320
He walks with a pained effort and
reaches the ground floor, limping in an

53
00:02:55,320 --> 00:02:58,400
unsteady path beneath an ornate crystal
chandelier.

54
00:02:59,040 --> 00:03:01,440
He reaches the front door and grabs the
handle.

55
00:03:01,880 --> 00:03:04,160
He opens the door and steps out.

56
00:03:06,700 --> 00:03:08,320
Bill and Colin are at dinner.

57
00:03:08,660 --> 00:03:10,540
I feel like I'm at a Mother's Day
brunch.

58
00:03:11,400 --> 00:03:13,960
You know there's a diner right across
the street. Yeah, but do they have

59
00:03:13,960 --> 00:03:15,540
bellinis with caviar and creme fraiche?

60
00:03:16,740 --> 00:03:17,740
There's a reason we're here.

61
00:03:18,140 --> 00:03:19,360
There's a reason for everything, Bill.

62
00:03:20,960 --> 00:03:23,080
Nice quiet place, away from prying eyes.

63
00:03:24,200 --> 00:03:25,240
You want to talk about Tony?

64
00:03:27,080 --> 00:03:28,080
Okay.

65
00:03:28,720 --> 00:03:31,980
Believe me, when I say this, the last
thing I want to talk about is Tony.

66
00:03:33,560 --> 00:03:34,980
I thought you didn't drink coffee.

67
00:03:35,540 --> 00:03:36,920
I do today. Thank you.

68
00:03:37,660 --> 00:03:40,640
I barely slept.

69
00:03:41,620 --> 00:03:43,920
Every time I closed my eyes, I kept
seeing my dad's CIA file.

70
00:03:45,020 --> 00:03:47,760
Well, have you tried repression or
denial?

71
00:03:48,080 --> 00:03:49,080
Works for me.

72
00:03:50,900 --> 00:03:52,220
I went through all my dad's stuff.

73
00:03:52,780 --> 00:03:54,440
I don't know what I was expecting to
find.

74
00:03:55,560 --> 00:03:56,920
Nothing about him being in the agency.

75
00:03:57,300 --> 00:03:58,300
Well, it's not surprising.

76
00:03:58,820 --> 00:04:00,240
Spies aren't big on scrapbooking.

77
00:04:00,700 --> 00:04:02,100
Listen, I don't understand why he didn't
tell me.

78
00:04:02,800 --> 00:04:04,160
What, like he thought I couldn't handle
the truth?

79
00:04:04,540 --> 00:04:05,540
Oh, jeez, Bill.

80
00:04:05,840 --> 00:04:09,120
There are a thousand and one reasons why
people lie. It doesn't always have to be

81
00:04:09,120 --> 00:04:10,120
bad.

82
00:04:10,160 --> 00:04:13,840
I mean, look, I hate to labour the
point, but have you told Katie about us?

83
00:04:14,180 --> 00:04:15,780
Me? What you do now?

84
00:04:16,000 --> 00:04:17,899
Bill looks at the table, tight-jawed.

85
00:04:18,980 --> 00:04:20,160
No, didn't think so.

86
00:04:20,420 --> 00:04:24,560
Colin looks around, then sees the
red-haired Russian man at the door. The

87
00:04:24,560 --> 00:04:25,560
men lock eyes.

88
00:04:25,600 --> 00:04:26,600
Oh, here we go.

89
00:04:26,680 --> 00:04:30,360
As Colin sees the man, he grips his
dinner knife in an underhand position.

90
00:04:30,900 --> 00:04:31,900
What's going on?

91
00:04:32,280 --> 00:04:33,380
We're about to find out.

92
00:04:34,160 --> 00:04:35,160
Victor?

93
00:04:35,600 --> 00:04:37,480
Colin? I got your signal. What's up?

94
00:04:37,820 --> 00:04:39,700
The man, Victor, pulls up a chair.

95
00:04:40,240 --> 00:04:41,640
He stares down at Colin.

96
00:04:42,340 --> 00:04:43,380
I need your help.

97
00:04:45,760 --> 00:04:46,760
Right.

98
00:04:47,400 --> 00:04:50,620
Right, Victor, this is Special Agent
Bill Goodman. Bill, this is Victor

99
00:04:50,620 --> 00:04:54,100
Molotov, Officer Extraordinaire with
Russia's SVR and a long-time

100
00:04:54,100 --> 00:04:56,780
professional and personal adversary of
mine.

101
00:04:57,780 --> 00:05:00,600
Colin and Victor, what do you need my
help with?

102
00:05:00,820 --> 00:05:02,480
Victor takes a seat opposite Colin.

103
00:05:03,100 --> 00:05:04,100
I've been murdered.

104
00:05:04,800 --> 00:05:06,060
Bill arches an eyebrow.

105
00:05:06,570 --> 00:05:07,770
Then locks eyes with Colin.

106
00:05:10,250 --> 00:05:13,310
Reconstructed, shredded documents with
photos of New York are on screen.

107
00:05:14,430 --> 00:05:15,930
Title, CIA.

108
00:05:21,150 --> 00:05:22,730
Victor makes a caviar bellini.

109
00:05:23,130 --> 00:05:26,150
Well, I hate to break it to you, Victor,
but you seem very much alive to me.

110
00:05:26,950 --> 00:05:27,949
I've been poisoned.

111
00:05:27,950 --> 00:05:29,810
He puts the bellini in his mouth and
chews.

112
00:05:30,790 --> 00:05:31,790
Ration.

113
00:05:32,870 --> 00:05:34,510
Doctor confirmed it and told me I have.

114
00:05:36,080 --> 00:05:37,960
It's all about us to live, give or take.

115
00:05:38,240 --> 00:05:39,239
You don't look sick.

116
00:05:39,240 --> 00:05:40,700
He sips coffee and shrugs.

117
00:05:41,680 --> 00:05:42,680
Nausea came last night.

118
00:05:44,200 --> 00:05:45,500
Violent, but it passed.

119
00:05:45,880 --> 00:05:47,100
By the way, are you going to finish
that?

120
00:05:47,620 --> 00:05:51,140
Please. He swaps his empty plate for
Colin's plate of egg and toast.

121
00:05:51,740 --> 00:05:53,520
Victor holds out an expectant hand.

122
00:05:53,920 --> 00:05:55,880
Colin reluctantly hands him the butter
knife.

123
00:05:56,600 --> 00:05:57,920
Dehydration will come next.

124
00:05:58,360 --> 00:05:59,360
Then hypertension.

125
00:06:00,060 --> 00:06:01,060
And then death.

126
00:06:01,400 --> 00:06:03,020
And there's nothing you can do about it.

127
00:06:04,140 --> 00:06:08,460
So what you need my help with funeral
arrangements Victor chuckles while

128
00:06:08,460 --> 00:06:15,140
chewing I Need your help finding some
men who poisoned me Gregory Allen

129
00:06:15,140 --> 00:06:20,960
miss you in New York City Well, I hope
you're not asking for a favor without

130
00:06:20,960 --> 00:06:26,460
something in return, of course not do
this for me And I'll help you stop the

131
00:06:26,460 --> 00:06:30,740
operation that got me poisoned Once I
will result in the deaths of countless

132
00:06:30,740 --> 00:06:31,960
US assets in Russia

133
00:06:34,940 --> 00:06:35,940
Explain.

134
00:06:38,220 --> 00:06:43,680
My cohorts at the Kremlin, they become
savages.

135
00:06:45,400 --> 00:06:46,620
Violence is all they understand.

136
00:06:46,900 --> 00:06:49,960
So what you're saying is the SVR has
become even more ruthless than before?

137
00:06:50,240 --> 00:06:52,300
Because last I checked... Yes, yes, I
know.

138
00:06:53,120 --> 00:06:55,320
It used to be, if you were a traitor,
you were dealt with.

139
00:06:55,720 --> 00:07:01,360
But now, not only will they kill you,
they will kill your family, your

140
00:07:01,360 --> 00:07:02,600
friends, your children.

141
00:07:03,230 --> 00:07:05,310
Even those who are merely suspected are
executed.

142
00:07:07,210 --> 00:07:08,210
Barbaric.

143
00:07:08,370 --> 00:07:10,310
And that's what's going to happen to our
assets in Russia?

144
00:07:10,910 --> 00:07:11,910
Yes.

145
00:07:12,450 --> 00:07:13,450
It'll be a slaughter.

146
00:07:14,270 --> 00:07:16,890
How did you find them? Because we
haven't heard any chats about it.

147
00:07:17,650 --> 00:07:19,270
I was charged with obtaining their
names.

148
00:07:20,170 --> 00:07:22,750
But I refused because I knew what it
would lead to.

149
00:07:23,410 --> 00:07:25,130
You refused and so they poisoned you?

150
00:07:25,410 --> 00:07:26,410
Victor nods.

151
00:07:26,790 --> 00:07:27,910
How are you going to find the names?

152
00:07:28,130 --> 00:07:30,310
He lifts a glass of water, then sighs.

153
00:07:31,600 --> 00:07:32,700
We haven't gone that far.

154
00:07:33,900 --> 00:07:35,680
But Gregor, he will know.

155
00:07:36,220 --> 00:07:39,120
Which is why we must find him first,
before he can get to it.

156
00:07:40,840 --> 00:07:43,320
Oh, it's very convenient, don't you
think, Victor, that the only person

157
00:07:43,320 --> 00:07:44,980
who's got the answers is the person who
poisoned you?

158
00:07:45,440 --> 00:07:48,280
You can believe me or not. I died
tonight either way.

159
00:07:48,780 --> 00:07:51,280
The question is how many of your people
died with me.

160
00:07:51,820 --> 00:07:55,760
Is that your blood? He points to a blood
stain on the inner sleeve of Victor's

161
00:07:55,760 --> 00:07:56,760
jacket.

162
00:07:57,420 --> 00:08:00,400
Come, I'll show you. He stands from the
table.

163
00:08:00,860 --> 00:08:02,720
The agents follow him with a reluctant
look.

164
00:08:03,440 --> 00:08:06,200
Outside, they stand with Victor as he
opens a trunk.

165
00:08:06,980 --> 00:08:07,980
Victor, police!

166
00:08:08,220 --> 00:08:09,220
No, wait!

167
00:08:09,700 --> 00:08:10,700
Hey, how's it going?

168
00:08:10,860 --> 00:08:11,860
Who is that?

169
00:08:12,020 --> 00:08:13,200
Please, do not worry.

170
00:08:13,440 --> 00:08:15,820
I only need information from him. How's
that all?

171
00:08:16,360 --> 00:08:18,200
So he knows where this Gregor person is?

172
00:08:18,940 --> 00:08:22,040
No, he knows the location of a man on
this Gregor's location.

173
00:08:22,540 --> 00:08:24,880
Oh, sounds simple. Yeah, welcome to
Russian espionage.

174
00:08:25,700 --> 00:08:27,440
At least we have a place to start the
search.

175
00:08:28,020 --> 00:08:29,020
Now open the...

176
00:08:32,700 --> 00:08:33,599
Don't move.

177
00:08:33,600 --> 00:08:40,360
He is telling the truth about being
poisoned. Anyway, I reached out to our

178
00:08:40,360 --> 00:08:41,400
contact at St. Michael.

179
00:08:42,000 --> 00:08:45,180
Victor Molotov was diagnosed with acute
ricin poisoning last night. He won't

180
00:08:45,180 --> 00:08:46,180
make it till tomorrow.

181
00:08:46,660 --> 00:08:50,620
And if he's telling the truth about the
SVR operation, our assets in Russia are

182
00:08:50,620 --> 00:08:51,620
in grave danger.

183
00:08:51,800 --> 00:08:53,920
If? You think he's lying?

184
00:08:54,820 --> 00:08:57,320
He's a spy, lying second nature. Colin?

185
00:08:59,770 --> 00:09:01,170
Does he have an ulterior motive?

186
00:09:02,250 --> 00:09:07,250
Possibly, or probably even, but he can't
very well scratch our back until he

187
00:09:07,250 --> 00:09:09,390
scratches. Hold on. Let me put you on
speaker.

188
00:09:10,210 --> 00:09:11,210
What do you got? All right.

189
00:09:11,390 --> 00:09:15,630
Last year, the SVR abducted and killed
an MI6 communications officer who had

190
00:09:15,630 --> 00:09:19,270
knowledge of British assets inside of
Russia. A couple weeks later, half a

191
00:09:19,270 --> 00:09:20,270
dozen of them wound up dead.

192
00:09:20,610 --> 00:09:21,930
Assets and their families.

193
00:09:22,770 --> 00:09:25,770
So you don't have to trust Victor
Molotov. You don't even have to like

194
00:09:25,770 --> 00:09:27,150
him. But you do have to do your jobs.

195
00:09:28,330 --> 00:09:29,330
Copy that.

196
00:09:30,579 --> 00:09:31,740
Gina. Uh, yeah?

197
00:09:32,660 --> 00:09:33,660
What else?

198
00:09:34,380 --> 00:09:35,380
What?

199
00:09:35,740 --> 00:09:39,260
You have made it very clear that you
want to work your way out of the analyst

200
00:09:39,260 --> 00:09:40,380
desk and into the field.

201
00:09:41,120 --> 00:09:42,120
Yes, definitely.

202
00:09:42,420 --> 00:09:43,960
So what happens if we lose our assets in
Russia?

203
00:09:44,740 --> 00:09:50,500
I mean, we lose sources, and all the
time that we spend building trust there,

204
00:09:50,560 --> 00:09:53,020
we lose our people and sympathetic
locals.

205
00:09:53,300 --> 00:09:57,260
I mean, we're flying blind,
intelligence-wise, which is the same

206
00:09:57,260 --> 00:09:58,840
reason that we can't just...

207
00:09:59,260 --> 00:10:02,980
go in there and take everyone out of the
country because the moment we start

208
00:10:02,980 --> 00:10:08,520
exfilling them the russians are looking
for patterns and then they find them all

209
00:10:08,520 --> 00:10:14,260
nikki gives her a tight smile that's
very good colin and bill both watch

210
00:10:14,260 --> 00:10:18,820
victor what do you think does it matter
we have to work with them yeah nikki was

211
00:10:18,820 --> 00:10:23,260
pretty clear follow the intel see if
there's a there there you know those

212
00:10:23,260 --> 00:10:26,700
things will kill you funny all right
victor

213
00:10:27,430 --> 00:10:30,570
I need something tangible from you.
Something that will hurt you. Otherwise,

214
00:10:30,650 --> 00:10:31,650
we're not moving forward.

215
00:10:33,290 --> 00:10:35,690
Your CIA station in Vienna has been
compromised.

216
00:10:36,570 --> 00:10:39,590
We were intercepting its cable traffic
through a corrupt hardware supplier.

217
00:10:41,190 --> 00:10:42,190
So?

218
00:10:44,690 --> 00:10:45,890
Shall we go spy hunting?

219
00:10:48,350 --> 00:10:50,290
Time to talk, comrade.

220
00:10:50,830 --> 00:10:51,830
Come on.

221
00:10:53,630 --> 00:10:54,630
Hey! Hey!

222
00:10:54,890 --> 00:10:56,050
Get on his legs!

223
00:10:57,610 --> 00:10:59,550
FBI! Stop running!

224
00:11:07,950 --> 00:11:14,750
Why are you making me run?

225
00:11:14,890 --> 00:11:16,310
Huh? Wait!

226
00:11:16,780 --> 00:11:19,420
Wait, wait, wait, wait, wait. You have
to listen to me. You have to listen to

227
00:11:19,420 --> 00:11:22,040
me. Whatever you think you know about
Victor, it's not true.

228
00:11:22,240 --> 00:11:26,620
Oh, is that right? Yes. Don't believe a
word that man says, okay? He's lying.

229
00:11:30,400 --> 00:11:34,840
Hey. Hey. A bit off topic, but Felix
Vincent, the international assassin...

230
00:11:34,840 --> 00:11:37,500
Yeah, I know who he is, Gina. I tend to
remember the ones who murder

231
00:11:37,500 --> 00:11:38,880
intelligence officers and get away.

232
00:11:39,310 --> 00:11:43,350
Right. Look, I know you and the boys
want him found, so I took the initiative

233
00:11:43,350 --> 00:11:47,070
and I pulled his vial, you know, trying
to look at some previous hits, maybe see

234
00:11:47,070 --> 00:11:52,230
who's hired him, you know, build a net.
But his vial is a wall of black.

235
00:11:52,910 --> 00:11:53,910
That's not surprising.

236
00:11:54,630 --> 00:11:56,490
Can I get the unredacted version?

237
00:11:56,770 --> 00:11:57,770
Yeah, it's unlikely.

238
00:11:58,230 --> 00:12:00,210
Someone somewhere wants this buried
deep.

239
00:12:01,010 --> 00:12:03,830
Listen, if I could just get some
breadcrumbs and run it against what I

240
00:12:03,830 --> 00:12:04,830
already found. Hey, Gina, some advice.

241
00:12:04,970 --> 00:12:06,590
Felix Vincent is a sinkhole.

242
00:12:07,440 --> 00:12:09,280
Leave it alone. Nikki is in her office.

243
00:12:09,900 --> 00:12:10,900
Understood.

244
00:12:12,760 --> 00:12:16,840
Victor and the agents are in a covered
eating area by a boardwalk. Let me be

245
00:12:16,840 --> 00:12:18,700
clear. This is all a setup? Or what?

246
00:12:19,360 --> 00:12:21,780
Kill me. He scoffs and rolls his eyes.

247
00:12:22,220 --> 00:12:23,800
You heard my man. This is where we find
Misha.

248
00:12:24,040 --> 00:12:25,580
Oh, your man. The one you stuffed in a
trunk?

249
00:12:26,240 --> 00:12:27,480
Better a trunk than a coffin.

250
00:12:27,880 --> 00:12:31,040
Victor sees a man with a topknot,
smoking on the phone.

251
00:12:32,060 --> 00:12:33,240
Oh, there he is. There he is.

252
00:12:33,920 --> 00:12:34,920
The guy.

253
00:12:35,100 --> 00:12:36,200
Smoking on the phone.

254
00:12:37,350 --> 00:12:39,630
Misha Botvinnik, SVR logistics man.

255
00:12:40,970 --> 00:12:41,970
Gregor's in the city.

256
00:12:42,210 --> 00:12:43,250
Misha will know where he is.

257
00:12:44,170 --> 00:12:46,710
Well, if this guy's SVR, he's going to
know you're radioactive.

258
00:12:46,990 --> 00:12:48,150
There's no way he can see your face.

259
00:12:49,250 --> 00:12:51,190
He's not going to see my face. He'll see
yours.

260
00:12:52,830 --> 00:12:54,130
Oh, you want a replay, do you?

261
00:12:54,390 --> 00:12:55,590
Victor grins slyly.

262
00:12:57,190 --> 00:12:58,190
Provocation.

263
00:12:58,310 --> 00:12:59,330
No chance, mate.

264
00:12:59,610 --> 00:13:00,890
You'll see it coming a mile off.

265
00:13:01,530 --> 00:13:02,570
Helsinki 2017?

266
00:13:03,070 --> 00:13:06,630
Helsinki went sideways because your ass
had the bladder the size of a sparrow.

267
00:13:06,770 --> 00:13:07,469
Oh, right.

268
00:13:07,470 --> 00:13:08,470
You got a better idea?

269
00:13:09,750 --> 00:13:12,170
What about Colorado 2, Steph?

270
00:13:14,870 --> 00:13:17,810
That could work.

271
00:13:18,250 --> 00:13:19,250
Yeah?

272
00:13:19,630 --> 00:13:20,630
What?

273
00:13:23,010 --> 00:13:24,010
What?

274
00:13:30,190 --> 00:13:31,910
The boardwalk patio is closed.

275
00:13:32,370 --> 00:13:35,210
He looks both ways before jogging to the
front door.

276
00:13:35,990 --> 00:13:40,030
He enters the closed bar, where Misha
removes stools from tabletops.

277
00:13:41,310 --> 00:13:42,310
Can I help you?

278
00:13:43,270 --> 00:13:44,270
You can.

279
00:13:45,290 --> 00:13:46,650
FBI, Agent Goodman.

280
00:13:47,050 --> 00:13:48,390
Looking for Gregor Lallin.

281
00:13:50,390 --> 00:13:51,390
SVR?

282
00:13:51,890 --> 00:13:53,670
SVR? His band?

283
00:13:54,030 --> 00:13:56,030
Yeah, I heard it's your favorite Russian
band.

284
00:13:56,250 --> 00:13:59,290
He sees Misha hastily put his phone in
his pocket. I'm American.

285
00:14:00,170 --> 00:14:01,170
From New York.

286
00:14:01,810 --> 00:14:02,810
Go Knicks.

287
00:14:04,190 --> 00:14:06,530
They both grab the same stool
forcefully.

288
00:14:08,170 --> 00:14:09,170
Where is he?

289
00:14:09,970 --> 00:14:11,030
You have the wrong bar.

290
00:14:11,970 --> 00:14:13,890
You want a hurricane and a plastic cup?

291
00:14:14,150 --> 00:14:17,070
I got you. Bill pushes him against a
wall with his forearm.

292
00:14:17,630 --> 00:14:18,710
Let me give you one more chance.

293
00:14:19,010 --> 00:14:20,450
They both have phones in their pockets.

294
00:14:20,830 --> 00:14:24,550
I don't know any Gregor. The phones are
pressed against one another.

295
00:14:24,790 --> 00:14:26,030
They both light up.

296
00:14:26,870 --> 00:14:27,870
Okay.

297
00:14:30,140 --> 00:14:32,660
I'll be back in an hour with the
warrant. We'll see if that gets you

298
00:14:32,660 --> 00:14:33,660
talking.

299
00:14:49,900 --> 00:14:50,900
Hello.

300
00:14:51,660 --> 00:14:53,660
The Americans were just here.

301
00:14:53,940 --> 00:14:55,320
They had your name.

302
00:14:55,760 --> 00:14:57,620
Not bad for my first Colorado two-step,
huh?

303
00:14:59,540 --> 00:15:03,240
They don't know where I am? No. They're
fishing.

304
00:15:04,660 --> 00:15:06,800
Stay where you are. Keep your head down.

305
00:15:07,220 --> 00:15:08,460
Gina told me that was enough.

306
00:15:09,080 --> 00:15:11,320
Spyware scraped the number the second he
dialed it.

307
00:15:11,740 --> 00:15:14,700
Gregor's at a nightclub in Brooklyn
sending coordinates now.

308
00:15:15,060 --> 00:15:15,939
Copy that.

309
00:15:15,940 --> 00:15:17,660
Colin stands and walks off.

310
00:15:18,000 --> 00:15:19,000
Later,

311
00:15:19,400 --> 00:15:22,940
the three men enter a club full of young
women and older men.

312
00:15:23,820 --> 00:15:28,300
Gold foil curtains line the entryway and
red mushroom lamps glow at each table.

313
00:15:28,880 --> 00:15:31,320
Victor sees the bearded man from the
night before.

314
00:15:31,720 --> 00:15:32,720
That's Gregor.

315
00:15:33,280 --> 00:15:34,280
All right.

316
00:15:34,660 --> 00:15:36,100
Well, we all know what we're doing,
yeah?

317
00:15:36,560 --> 00:15:39,740
Yeah. Don't spend it all at once. He
hands them each a few bills. This should

318
00:15:39,740 --> 00:15:40,740
be fun.

319
00:15:41,500 --> 00:15:42,740
Bill, retire.

320
00:15:43,260 --> 00:15:45,260
No. Look at the tax man.

321
00:15:45,520 --> 00:15:47,480
Colin calls out to a woman in a red
dress.

322
00:15:47,740 --> 00:15:48,239
Hey, hey.

323
00:15:48,240 --> 00:15:49,240
Excuse me, love.

324
00:15:49,640 --> 00:15:50,640
What's your name again?

325
00:15:50,980 --> 00:15:51,980
Topaz.

326
00:15:52,280 --> 00:15:53,280
Topaz?

327
00:15:53,450 --> 00:15:56,050
Beautiful name for a beautiful girl.
Victor bribes the DJ.

328
00:15:56,350 --> 00:15:59,470
A little birdie tells me it's your
birthday today, Topaz. Is that right?

329
00:15:59,750 --> 00:16:00,770
Sure is, baby.

330
00:16:01,090 --> 00:16:01,929
How'd you know?

331
00:16:01,930 --> 00:16:04,130
Oh, I've just got funny feelings like
that. Come on, let's celebrate.

332
00:16:04,710 --> 00:16:08,790
Hey, everybody, we've got a birthday
girl here. Everyone's to come celebrate.

333
00:16:09,190 --> 00:16:11,710
He pulls her onto the stage and throws
bills into the air.

334
00:16:13,890 --> 00:16:16,510
Colin and Victor continue throwing money
around.

335
00:16:17,510 --> 00:16:19,970
Rigger and his friends look over from
another stage.

336
00:16:20,640 --> 00:16:22,780
They pump their fists in the air and
sing along.

337
00:16:30,920 --> 00:16:34,020
Gregor's enthusiasm fades as he sees
Victor dancing.

338
00:16:35,300 --> 00:16:37,500
Victor salutes.

339
00:16:40,120 --> 00:16:46,180
He drags Victor away from Topaz.

340
00:16:47,380 --> 00:16:50,680
Gregor follows the agents, with armed
men in suits behind him.

341
00:16:51,080 --> 00:16:53,680
As they cross the dance floor, Bill
bumps into them.

342
00:16:54,000 --> 00:16:59,980
He lets Gregor through, then elbows his
security in the mouth.

343
00:17:04,220 --> 00:17:10,560
A CIA squad awaits Gregor.

344
00:17:21,820 --> 00:17:25,300
Colin jumps in from behind and puts a
black bag over his head.

345
00:17:26,720 --> 00:17:28,380
Colin disarms Gregor's men.

346
00:17:29,660 --> 00:17:33,100
He leaves Gregor's security with their
hands against the wall.

347
00:17:33,320 --> 00:17:36,280
They shove Gregor into a van, then peel
away.

348
00:17:37,340 --> 00:17:39,020
Gregor's security turns back.

349
00:17:39,260 --> 00:17:41,260
The CIA squad has disappeared.

350
00:17:45,000 --> 00:17:46,620
The hood is pulled off Gregor's head.

351
00:17:46,860 --> 00:17:48,440
He's bound to a chair in a bar.

352
00:17:48,700 --> 00:17:49,940
Gregor, what's the operation?

353
00:17:51,000 --> 00:17:52,740
I don't know what you're talking about.

354
00:17:53,000 --> 00:17:54,000
Oh, I think you do, Gregor.

355
00:17:54,900 --> 00:17:58,520
The SVRs opt to obtain a list of our
Moscow assets and then kill them.

356
00:18:00,180 --> 00:18:01,760
You tell us the plan, we'll let you
live.

357
00:18:02,060 --> 00:18:04,400
Gregor locks eyes with Colin, then
swallows.

358
00:18:04,960 --> 00:18:05,960
Colin approaches.

359
00:18:06,340 --> 00:18:08,480
He tightens the straps on Gregor's
chair.

360
00:18:08,680 --> 00:18:09,680
Okay.

361
00:18:10,120 --> 00:18:11,120
Good talk.

362
00:18:12,600 --> 00:18:13,600
You're up.

363
00:18:18,340 --> 00:18:20,140
Maybe a drink will remind you.

364
00:18:21,500 --> 00:18:22,880
I made it special for you.

365
00:18:25,500 --> 00:18:30,720
Come on, come on. Drink, drink, drink.
Come on.

366
00:18:34,520 --> 00:18:35,580
Don't worry, Gregor.

367
00:18:35,900 --> 00:18:37,220
I can't poison you yet.

368
00:18:39,520 --> 00:18:41,860
That would be good payback for what you
did to me.

369
00:18:44,400 --> 00:18:45,400
And chuckles.

370
00:18:46,100 --> 00:18:47,120
Victor seethes.

371
00:18:48,140 --> 00:18:49,140
What?

372
00:18:50,000 --> 00:18:51,000
It wasn't him.

373
00:18:53,060 --> 00:18:54,100
Of course it was.

374
00:18:55,440 --> 00:18:59,640
This rat of a man is loyal to no one.
He's got no morals, no code.

375
00:18:59,860 --> 00:19:02,020
You would betray your own mother for two
cop ex.

376
00:19:03,180 --> 00:19:04,180
You done?

377
00:19:05,620 --> 00:19:06,620
You're the traitor.

378
00:19:07,580 --> 00:19:08,940
You work for the CIA.

379
00:19:09,420 --> 00:19:11,040
Victor crouches in front of Gregor.

380
00:19:11,340 --> 00:19:12,520
He looks back to Colin.

381
00:19:12,920 --> 00:19:13,920
then slowly stands.

382
00:19:23,380 --> 00:19:29,860
Victor's brow

383
00:19:29,860 --> 00:19:31,960
twitches. He shakes his head.

384
00:19:32,440 --> 00:19:33,620
You were lying, scumbag.

385
00:19:33,820 --> 00:19:35,040
It was his operation.

386
00:19:35,360 --> 00:19:38,520
It was him who came up with the whole
thing. You're just a stepping stone in

387
00:19:38,520 --> 00:19:39,379
his career.

388
00:19:39,380 --> 00:19:40,540
Victor grabs his throat.

389
00:19:40,860 --> 00:19:41,860
Shut up.

390
00:19:42,570 --> 00:19:43,570
You bastard.

391
00:19:45,410 --> 00:19:48,570
The agents pry Victor's hand off
Gregor's throat.

392
00:19:51,030 --> 00:19:55,230
Victor clutches his stomach and takes
ragged breaths.

393
00:19:57,390 --> 00:19:58,390
Protégé.

394
00:20:00,790 --> 00:20:02,190
He called you a clown.

395
00:20:04,730 --> 00:20:06,070
I recruited him.

396
00:20:07,130 --> 00:20:08,670
We relied on each other.

397
00:20:09,230 --> 00:20:10,750
We trusted each other.

398
00:20:10,950 --> 00:20:11,950
He turns away.

399
00:20:12,230 --> 00:20:16,390
crestfallen. Colin crouches in front of
Victor. Okay, Victor.

400
00:20:17,590 --> 00:20:19,550
I feel for you.

401
00:20:19,750 --> 00:20:23,170
I really do. I know what it's like to be
betrayed more than you will ever know,

402
00:20:23,270 --> 00:20:24,270
okay?

403
00:20:24,650 --> 00:20:28,350
But if we don't get Gregor to talk right
now, then a lot of innocent people are

404
00:20:28,350 --> 00:20:29,350
going to die.

405
00:20:30,090 --> 00:20:31,090
So come on.

406
00:20:31,970 --> 00:20:33,830
The SVR collects compromise on everyone.

407
00:20:34,710 --> 00:20:35,990
Enemies close, friends closer.

408
00:20:37,090 --> 00:20:38,390
You must have something on him.

409
00:20:39,830 --> 00:20:41,190
Victor nods reluctantly.

410
00:20:42,010 --> 00:20:45,990
Later, Gina and Teddy enter the repair
shop of a violin maker.

411
00:20:46,290 --> 00:20:49,010
An elderly man in a waistcoat approaches
them.

412
00:20:49,510 --> 00:20:50,830
May I help you?

413
00:20:51,050 --> 00:20:55,770
Yes, we're here to pick up a viola for
my uncle, Vasily Pushkin.

414
00:20:55,990 --> 00:20:57,070
Oh, yes.

415
00:20:58,410 --> 00:21:02,670
Mr. Pushkin dropped it off for repair
over a year ago.

416
00:21:03,770 --> 00:21:04,850
Paid in full.

417
00:21:05,510 --> 00:21:08,010
I was beginning to think it was
forgotten.

418
00:21:09,979 --> 00:21:12,160
It's a gorgeous piece.

419
00:21:13,140 --> 00:21:15,280
Rich and balanced.

420
00:21:16,620 --> 00:21:18,520
Mario Gatto.

421
00:21:19,660 --> 00:21:22,080
Great. Do you have the claim ticket?

422
00:21:23,460 --> 00:21:24,460
You know what?

423
00:21:24,680 --> 00:21:26,820
I misplaced it, actually.

424
00:21:27,220 --> 00:21:32,140
I'm sorry. I can't release the
instrument without a strict policy.

425
00:21:32,780 --> 00:21:36,860
Let me call my uncle, and we'll get this
sorted out.

426
00:21:38,520 --> 00:21:44,320
Look, sir, normally I would not be this
direct, but we have a bunch of bad

427
00:21:44,320 --> 00:21:48,080
people looking to do some bad stuff, and
many lives are at risk.

428
00:21:48,520 --> 00:21:50,700
Whatever's in this case is going to help
us stop them.

429
00:21:51,260 --> 00:21:53,440
So we need to take this now.

430
00:21:53,800 --> 00:21:57,700
It's been paid in full, and we'll make
sure to give Mr. Pushkin your best.

431
00:21:58,060 --> 00:21:58,899
Sound good?

432
00:21:58,900 --> 00:22:01,660
They take the case and wave goodbye to
the terrified man.

433
00:22:01,960 --> 00:22:02,960
Thanks. Sorry.

434
00:22:03,580 --> 00:22:06,480
Back at the bar, Victor withdraws the
viola from the case.

435
00:22:07,050 --> 00:22:08,790
You think he's going to lull them into
talking?

436
00:22:09,050 --> 00:22:10,710
Well, everyone has their process, Bill.

437
00:22:11,850 --> 00:22:13,750
Well, let's just hope it's not a sonata.

438
00:22:15,070 --> 00:22:16,070
Exquisite sound.

439
00:22:16,270 --> 00:22:17,750
He puts the viola aside.

440
00:22:19,030 --> 00:22:21,110
I was always partial to the cello.

441
00:22:21,450 --> 00:22:24,550
He swallows and looks to Gregor with a
wistful smile.

442
00:22:26,130 --> 00:22:30,630
Gregor meets his gaze and nods. Victor
opens a compartment in the case,

443
00:22:30,690 --> 00:22:32,010
withdrawing a manila envelope.

444
00:22:32,510 --> 00:22:35,170
He stands with difficulty and staggers
back.

445
00:22:36,090 --> 00:22:38,750
He grunts, then moves, unsteady on his
feet.

446
00:22:39,270 --> 00:22:40,270
I never understood.

447
00:22:40,490 --> 00:22:42,190
He withdraws a document from the
envelope.

448
00:22:43,190 --> 00:22:45,090
How are you able to afford that wedding?

449
00:22:46,030 --> 00:22:48,630
It was your... He looms over Gregor.

450
00:22:48,850 --> 00:22:51,310
Your third wife, your fourth.

451
00:22:51,550 --> 00:22:54,450
He grabs a metal chair and turns it to
face Gregor.

452
00:22:54,670 --> 00:22:56,650
Victor turns the document to Gregor.

453
00:22:58,010 --> 00:22:59,110
Listen, I found this.

454
00:22:59,670 --> 00:23:01,530
Gregor reads the document grimly.

455
00:23:01,870 --> 00:23:05,390
Victor drops it in his lap, then takes a
seat opposite him.

456
00:23:08,720 --> 00:23:12,240
Seems the SVR made a sizable
contribution to the festivities.

457
00:23:14,240 --> 00:23:19,340
Whether they knew about it or not, many
things have changed in my time with the

458
00:23:19,340 --> 00:23:20,340
SVR.

459
00:23:22,120 --> 00:23:25,340
But its feelings and embezzlement have
most certainly not.

460
00:23:27,140 --> 00:23:31,680
Gringo, you know how your people
operate, yeah?

461
00:23:32,460 --> 00:23:35,740
So I suggest the only way that you live
and the only way that your family

462
00:23:35,740 --> 00:23:38,140
lives... is if you talk to us.

463
00:23:39,500 --> 00:23:43,900
I don't particularly care about what you
stole, but I care very, very much about

464
00:23:43,900 --> 00:23:45,100
our people on the ground in Moscow.

465
00:23:46,300 --> 00:23:50,860
We can protect you, your parents, your
daughter.

466
00:23:52,040 --> 00:23:53,220
We can keep them safe.

467
00:23:54,680 --> 00:23:55,920
You just talk to us.

468
00:23:56,240 --> 00:23:59,480
Gregor clenches his eyes shut and a tear
rolls down his cheek.

469
00:24:00,260 --> 00:24:02,220
He opens his eyes and looks at Victor.

470
00:24:03,300 --> 00:24:04,600
Victor arches an eyebrow.

471
00:24:05,920 --> 00:24:07,920
Gregor sighs, then speaks.

472
00:24:08,340 --> 00:24:09,340
As a woman.

473
00:24:10,600 --> 00:24:14,620
According to Gregor, SVR has been
tracking Sarah Reed, privately

474
00:24:14,620 --> 00:24:16,180
contracted communications officer.

475
00:24:16,440 --> 00:24:19,360
She's not CIA, but she has the names of
our assets in Russia.

476
00:24:19,640 --> 00:24:22,540
She's currently on a train from
Baltimore to New York and arrives at

477
00:24:22,540 --> 00:24:25,360
Fulton Station in just under two hours.

478
00:24:25,680 --> 00:24:28,240
SVR's plan is to kidnap her amidst the
travel chaos.

479
00:24:28,480 --> 00:24:32,000
And then do whatever they can to get the
names out of her. If they succeed, she

480
00:24:32,000 --> 00:24:33,820
dies, along with dozens of American
assets.

481
00:24:35,129 --> 00:24:37,650
Colin, Bill, you have to get her off the
train. Keep her out of harm's way.

482
00:24:38,110 --> 00:24:41,010
And then what? You just leave her locked
in a safe house forever?

483
00:24:41,210 --> 00:24:42,510
Until threat levels go down.

484
00:24:43,370 --> 00:24:47,150
You know, she's right. This new regime
is hell-bent on taking out our assets,

485
00:24:47,170 --> 00:24:49,930
so they'll just find someone new to
swoop up.

486
00:24:50,210 --> 00:24:51,210
Then what would you do?

487
00:24:52,350 --> 00:24:54,010
You got a problem. You have to find a
solution.

488
00:24:54,770 --> 00:24:56,790
Teddy, how tall are you?

489
00:24:57,790 --> 00:24:58,790
Five foot eight.

490
00:24:59,510 --> 00:25:01,610
Why? He looks at Sarah's profile.

491
00:25:02,300 --> 00:25:04,940
What if we snag Sarah off the train and
put Teddy in her place?

492
00:25:05,300 --> 00:25:07,800
We can lure out the SVR and take down
their entire cell.

493
00:25:08,220 --> 00:25:09,800
Unless this is all a ploy.

494
00:25:10,220 --> 00:25:13,160
Victor worked with Gregor to sell us on
an op, but it's actually a trap.

495
00:25:13,400 --> 00:25:16,280
At this stage, Bill, I think we have to
ask ourselves, is this a risk we're

496
00:25:16,280 --> 00:25:17,119
willing to take?

497
00:25:17,120 --> 00:25:18,320
Nikki turns to Teddy.

498
00:25:18,980 --> 00:25:20,080
You understand the risks?

499
00:25:21,160 --> 00:25:22,740
Absolutely. I'm down.

500
00:25:23,740 --> 00:25:25,360
Reed's train gets in in two hours.

501
00:25:25,620 --> 00:25:28,080
Get Victor, he knows the players. We'll
be able to ID him.

502
00:25:28,400 --> 00:25:29,420
Colin and Bill leave.

503
00:25:31,370 --> 00:25:32,370
Let's get you ready.

504
00:25:35,530 --> 00:25:36,530
Hi,

505
00:25:40,250 --> 00:25:41,710
fellas. All good?

506
00:25:44,150 --> 00:25:46,030
Thanks. Victor?

507
00:25:48,330 --> 00:25:49,330
Victor?

508
00:25:49,470 --> 00:25:51,310
Victor? Victor?

509
00:25:59,880 --> 00:26:01,120
and continues through a corridor.

510
00:26:01,600 --> 00:26:05,880
He jogs down a flight of steps and sees
an old coal chute flooded with light.

511
00:26:06,520 --> 00:26:07,880
You gotta be kidding me.

512
00:26:08,160 --> 00:26:11,360
Colin! Colin rushes past the gate
towards Bill.

513
00:26:13,520 --> 00:26:17,960
Bill looks up the coal chute to the
outside, then turns back as Colin

514
00:26:17,960 --> 00:26:18,960
arrives.

515
00:26:20,020 --> 00:26:22,260
Bill glares at Colin, then runs off.

516
00:26:26,540 --> 00:26:27,700
How did he escape?

517
00:26:28,490 --> 00:26:31,070
Looked like he climbed out an old coal
chute under the street.

518
00:26:31,870 --> 00:26:35,990
You think Victor had a change of heart?
No. No, he wants revenge on this Pasha

519
00:26:35,990 --> 00:26:37,110
character, his protégé.

520
00:26:37,590 --> 00:26:39,790
Probably figured he wasn't going to get
it without chaperoning.

521
00:26:39,990 --> 00:26:41,530
Well, let's not forget we still need
him.

522
00:26:41,750 --> 00:26:43,510
Especially with Teddy's safety at risk.

523
00:26:43,770 --> 00:26:44,890
Oh, guys got something.

524
00:26:45,150 --> 00:26:47,970
Looks like Victor was caught on facial
rag wandering through traffic in

525
00:26:47,970 --> 00:26:50,170
Columbus Circle. Looks like he's headed
north toward Lincoln Center.

526
00:26:50,570 --> 00:26:52,550
What does he want in Lincoln Center?
Let's go ask.

527
00:26:52,990 --> 00:26:54,330
The agents drive off.

528
00:26:55,510 --> 00:26:56,910
You take that side. Yeah.

529
00:26:57,250 --> 00:27:00,030
Later. They jog across a walkway to the
Lincoln Center.

530
00:27:00,950 --> 00:27:03,310
An open patio is filled with metal
tables.

531
00:27:03,970 --> 00:27:05,610
Bill and Colin sweep the area.

532
00:27:06,290 --> 00:27:08,650
Colin sees Victor doubled over at a
table.

533
00:27:09,150 --> 00:27:10,350
Victor's eyes are sunken.

534
00:27:10,550 --> 00:27:11,710
He checks his watch.

535
00:27:12,830 --> 00:27:13,830
Bill!

536
00:27:14,230 --> 00:27:16,230
Bill! The men converge on Victor.

537
00:27:16,970 --> 00:27:19,030
Hey, hey, hey, hey, hey. Easy, sit down,
sit down.

538
00:27:19,890 --> 00:27:21,050
What are you doing? Why'd you run?

539
00:27:21,810 --> 00:27:22,810
I'm sorry.

540
00:27:23,250 --> 00:27:24,430
I had to see her.

541
00:27:24,670 --> 00:27:25,670
See who?

542
00:27:29,680 --> 00:27:31,260
Her name is Lyudmila Shushkin.

543
00:27:32,660 --> 00:27:37,220
She was a cellist with the Mariinsky
Orchestra, Russia's finest.

544
00:27:39,320 --> 00:27:44,220
I spent three months eavesdropping on
her, hoping to learn the names of other

545
00:27:44,220 --> 00:27:45,380
possible defectors.

546
00:27:46,560 --> 00:27:48,080
I never got any names.

547
00:27:49,500 --> 00:27:51,260
Just the sound of a cello.

548
00:27:54,300 --> 00:27:58,880
I fell in love with the music first.

549
00:28:01,130 --> 00:28:02,230
But I knew the rules.

550
00:28:04,310 --> 00:28:08,650
If I stay with Mila, I'll be putting her
life in danger.

551
00:28:09,710 --> 00:28:10,910
So you ended things.

552
00:28:11,210 --> 00:28:13,090
Victor nods and his breath catches.

553
00:28:15,370 --> 00:28:16,690
She performs here tonight.

554
00:28:18,490 --> 00:28:20,950
But I have only hours.

555
00:28:22,650 --> 00:28:26,690
I thought maybe I could just listen to
her rehearse.

556
00:28:28,310 --> 00:28:29,310
Please.

557
00:28:29,530 --> 00:28:32,490
Listen, Victor, it's a lovely story.
It's very romantic, but no.

558
00:28:33,270 --> 00:28:36,430
We have to go. We need your help. We've
got one more op to do. Come on.

559
00:28:37,350 --> 00:28:40,570
Come on. You chose this life. You have
to live with the consequences, yeah?

560
00:28:41,430 --> 00:28:42,970
And it seems die with them.

561
00:28:43,210 --> 00:28:45,910
He gives Colin a wry look as Colin drags
him away.

562
00:28:46,630 --> 00:28:48,490
This is just like Marrakesh in 07.

563
00:28:48,730 --> 00:28:50,590
Later, they're at Fulton Station
Security.

564
00:28:50,970 --> 00:28:51,970
How's you?

565
00:28:53,230 --> 00:28:54,230
Of course.

566
00:28:55,170 --> 00:28:57,510
Yeah, let's hope we have the same luck
with your SVR comrades.

567
00:28:58,380 --> 00:29:00,220
Pasha's smart. Very smart.

568
00:29:01,640 --> 00:29:04,280
He'll be on high alert after the
incident at the club.

569
00:29:05,820 --> 00:29:06,820
Bill, come in.

570
00:29:07,040 --> 00:29:08,040
Go ahead.

571
00:29:08,540 --> 00:29:10,400
Sarah Reed's train just arriving.

572
00:29:11,360 --> 00:29:12,860
Shocking. Right on time.

573
00:29:13,400 --> 00:29:15,320
Bill sits on a bench in the station.

574
00:29:16,120 --> 00:29:18,620
Sarah Reed arrives, pulling her travel
bag.

575
00:29:18,880 --> 00:29:22,260
She wears a long-sleeved blouse and a
floral patterned scarf.

576
00:29:22,860 --> 00:29:24,480
She arrives at a concession stand.

577
00:29:24,700 --> 00:29:28,240
Hi, can I get a water? Bill approaches
her and pulls out his card.

578
00:29:28,880 --> 00:29:30,120
Oh, no, no, Sarah, it's not me.

579
00:29:30,400 --> 00:29:31,400
What?

580
00:29:31,560 --> 00:29:33,920
I owe you. He shows her his ID as he
pays.

581
00:29:34,140 --> 00:29:34,959
Take a change.

582
00:29:34,960 --> 00:29:36,600
Act natural. Your life's in danger.

583
00:29:37,360 --> 00:29:39,440
There's an agent waiting for you in the
bathroom. Go now.

584
00:29:40,000 --> 00:29:43,060
Sarah stiffens, staring at the ground as
Bill departs.

585
00:29:43,320 --> 00:29:47,020
She leaves the stand with her bottle of
water and walks off towards the

586
00:29:47,020 --> 00:29:48,020
bathrooms.

587
00:29:48,280 --> 00:29:50,700
Gina sits on a nearby bench, sipping
coffee.

588
00:29:51,590 --> 00:29:52,910
Teddy, she's headed your way.

589
00:29:53,530 --> 00:29:56,370
A woman passes Sarah on her way into the
bathroom.

590
00:29:56,770 --> 00:29:58,770
Teddy turns to Sarah from the vanity.

591
00:29:59,750 --> 00:30:04,170
Hey. What's going on? I'm Agent Marsh. I
know, this is a lot. I'm going to need

592
00:30:04,170 --> 00:30:05,950
your coat and your scarf.

593
00:30:06,690 --> 00:30:08,470
Are you meant to be me?

594
00:30:09,150 --> 00:30:10,530
Listen, we need to move.

595
00:30:11,150 --> 00:30:14,590
Now. Sarah hands Teddy her scarf and a
camel-colored coat.

596
00:30:15,290 --> 00:30:18,510
You stay here. I'll have an agent escort
you out.

597
00:30:18,750 --> 00:30:20,330
Teddy puts on Sarah's clothing.

598
00:30:21,260 --> 00:30:23,100
Hey, listen, it's going to be okay.

599
00:30:23,320 --> 00:30:25,360
She leaves the bathroom dressed as
Sarah.

600
00:30:27,080 --> 00:30:30,960
All right, Teddy's on the move. Can we
confirm Sarah Reed is safe and secure?

601
00:30:31,900 --> 00:30:32,859
She's secure.

602
00:30:32,860 --> 00:30:34,860
Victor and Colin watch from station
security.

603
00:30:36,200 --> 00:30:37,740
How are they going to do this, do you
think?

604
00:30:39,320 --> 00:30:40,980
We'll create some kind of a distraction.

605
00:30:42,900 --> 00:30:44,200
Fire alarm, for example.

606
00:30:45,300 --> 00:30:49,720
As I'm in law enforcement or
surveillance is distracted, Pasha will

607
00:30:49,720 --> 00:30:50,720
make his move.

608
00:30:50,860 --> 00:30:52,520
And you taught him everything he knows,
did you?

609
00:30:55,560 --> 00:30:56,940
Teddy's entering the main hall now.

610
00:30:58,700 --> 00:31:00,720
Stay alert, everybody. They may run a
distraction.

611
00:31:04,520 --> 00:31:08,280
There he

612
00:31:08,280 --> 00:31:13,200
is. There's Pasha.

613
00:31:14,780 --> 00:31:15,780
Zoom in on this screen.

614
00:31:16,880 --> 00:31:21,460
We have a positive ID on Pasha. Green
baseball cap, blue jacket.

615
00:31:24,100 --> 00:31:26,740
Got him.

616
00:31:27,500 --> 00:31:28,740
All right, this is it.

617
00:31:38,040 --> 00:31:38,759
What's that?

618
00:31:38,760 --> 00:31:39,800
This is the distraction.

619
00:31:40,040 --> 00:31:43,260
Keep eyes on Teddy and Pasha. Repeat,
keep eyes on Teddy and Pasha.

620
00:31:43,800 --> 00:31:49,740
copy got it bill watches teddy while
gina surveys pasha teddy turns back as

621
00:31:49,740 --> 00:31:54,460
light explodes in front of her people
run in fear as smoke spreads out

622
00:31:54,460 --> 00:32:01,060
what was that secondary distraction bill
loses sight of teddy in the chaos

623
00:32:01,060 --> 00:32:07,340
panicked people run through the smoke
around him bill and gina fan out

624
00:32:07,340 --> 00:32:10,760
lots of visual on teddy anyone have eyes

625
00:32:12,720 --> 00:32:13,920
We don't have eyes on Teddy.

626
00:32:14,780 --> 00:32:16,280
Does anyone have eyes on Teddy?

627
00:32:16,640 --> 00:32:17,640
Negative.

628
00:32:18,300 --> 00:32:19,640
I don't have Pasha either.

629
00:32:20,120 --> 00:32:21,120
Oh, God.

630
00:32:21,240 --> 00:32:22,240
Oh, come on.

631
00:32:22,480 --> 00:32:26,000
Colin looks at a monitor filming a
stairwell. He sees Pasha and an

632
00:32:26,000 --> 00:32:27,380
entourage leading Teddy away.

633
00:32:28,540 --> 00:32:32,160
Bill, Bill, south stairwell. She's with
Pasha and two others.

634
00:32:32,580 --> 00:32:33,580
Go, go, go, go, go.

635
00:32:33,920 --> 00:32:35,440
Gina, take the north side. Yeah.

636
00:32:36,240 --> 00:32:37,159
Let's go.

637
00:32:37,160 --> 00:32:38,780
Colin and Victor rush from security.

638
00:32:39,420 --> 00:32:42,320
A man holds Teddy at gunpoint and pushes
her out to the street.

639
00:32:42,680 --> 00:32:46,500
Pasha checks that the coast is clear
before directing the two men to a white

640
00:32:46,500 --> 00:32:49,980
van. They throw Teddy inside and hold a
gun in her face.

641
00:32:50,320 --> 00:32:52,940
Okay, you and I are going to have a
little chat.

642
00:32:57,060 --> 00:32:58,060
FBI, watch out!

643
00:32:58,460 --> 00:33:00,080
Bill rushes out to the street.

644
00:33:01,160 --> 00:33:02,160
FBI, cover through!

645
00:33:02,340 --> 00:33:04,920
He pushes through the crowds and sprints
down the street.

646
00:33:05,340 --> 00:33:10,180
He glances back at the road behind him.

647
00:33:10,960 --> 00:33:13,900
A black BMW pulls to a stop nearby.

648
00:33:15,260 --> 00:33:18,460
Colin rushes towards it and hurriedly
jumps into the back seat.

649
00:33:20,640 --> 00:33:23,420
They speed off in pursuit of the van.

650
00:33:23,660 --> 00:33:25,860
In the van, Teddy is frisked.

651
00:33:26,800 --> 00:33:29,400
One of the men finds a pistol.

652
00:33:30,100 --> 00:33:34,620
Pasha looks at the gun, then locks eyes
with Teddy.

653
00:33:35,260 --> 00:33:38,100
Pasha grabs his phone and opens a photo
of Sarah.

654
00:33:38,820 --> 00:33:40,720
He compares Teddy to the photo.

655
00:33:42,960 --> 00:33:43,960
It's not her.

656
00:33:44,340 --> 00:33:47,180
That's what I've been trying to tell
you. I don't know what you're looking

657
00:33:47,180 --> 00:33:50,180
for. Pasha empties her magazine and
stows her gun away.

658
00:33:50,420 --> 00:33:51,019
Who are you?

659
00:33:51,020 --> 00:33:53,840
I'm MTA. Police. I don't know what's
going on.

660
00:33:55,000 --> 00:33:56,000
So what now?

661
00:33:56,300 --> 00:33:58,800
Pasha looks to the driver, then lowers
his gaze.

662
00:33:59,440 --> 00:34:01,040
Head across the river.

663
00:34:01,340 --> 00:34:02,600
Let's get rid of her body.

664
00:34:03,600 --> 00:34:04,960
The agents pursue in their car.

665
00:34:05,260 --> 00:34:06,740
Victor's eyes are red and puffy.

666
00:34:07,200 --> 00:34:08,520
I'm glad you're enjoying yourself.

667
00:34:09,280 --> 00:34:10,280
You bet.

668
00:34:10,960 --> 00:34:13,600
Here they are. They accelerate towards
the van.

669
00:34:14,040 --> 00:34:15,040
What are you thinking?

670
00:34:15,580 --> 00:34:17,159
Hold on, I'm going up this back side.

671
00:34:17,440 --> 00:34:19,080
He rams the van from behind.

672
00:34:19,739 --> 00:34:21,400
The van swerves on the road.

673
00:34:21,679 --> 00:34:23,860
The two vehicles drive beneath a bridge.

674
00:34:24,280 --> 00:34:26,380
Pasha looks at the car in the rearview
mirror.

675
00:34:27,320 --> 00:34:28,620
He talks to the driver.

676
00:34:28,880 --> 00:34:29,880
Get rid of them.

677
00:34:30,060 --> 00:34:31,060
Come on.

678
00:34:31,420 --> 00:34:33,800
The vehicle swerves and Teddy is thrown
to the side.

679
00:34:34,100 --> 00:34:36,659
She wrestles one of the men, elbowing
him in the face.

680
00:34:37,080 --> 00:34:40,540
She knocks her in the stomach. The other
man tackles her against the door.

681
00:34:41,760 --> 00:34:45,860
Keep right. On the right, I said.

682
00:34:46,480 --> 00:34:48,560
The driver swerves towards the agent's
car.

683
00:34:48,800 --> 00:34:50,420
They veer into an oncoming lane.

684
00:34:50,760 --> 00:34:54,000
In the back of the van, Teddy stands and
tackles her assailant.

685
00:34:54,380 --> 00:34:55,560
Come on, let's go.

686
00:34:56,060 --> 00:34:57,060
Quickly, quickly.

687
00:34:57,340 --> 00:34:59,600
Colin swerves back and forth through
oncoming traffic.

688
00:35:00,220 --> 00:35:04,740
What are you doing? They drive parallel
to the van. In the van, Teddy clubs the

689
00:35:04,740 --> 00:35:08,460
man in the face. As Pasha turns from the
front seat, she elbows him in the jaw.

690
00:35:09,020 --> 00:35:11,220
She chokes the driver with her zip-tied
hands.

691
00:35:11,800 --> 00:35:12,800
Don't let him make this turn.

692
00:35:13,120 --> 00:35:15,000
Cut him off. Yeah, I'm going to, Bill.

693
00:35:15,940 --> 00:35:19,600
He's not stopping. The van drives
through a chain-link gate towards a

694
00:35:19,600 --> 00:35:20,900
gravel-covered construction lot.

695
00:35:21,260 --> 00:35:23,100
Teddy continues to choke the driver.

696
00:35:23,720 --> 00:35:27,320
She falls back, and the van drives
directly into a large mound of gravel,

697
00:35:27,440 --> 00:35:28,640
slowing it to a stop.

698
00:35:29,180 --> 00:35:30,740
The agents pull up behind them.

699
00:35:32,120 --> 00:35:33,360
Pasha, let me see your hands!

700
00:35:34,400 --> 00:35:35,400
Drop the weapon!

701
00:35:35,520 --> 00:35:37,160
Pasha drops to his knees on the gravel.

702
00:35:37,480 --> 00:35:39,660
Teddy steps out of the van, holding a
pistol.

703
00:35:40,340 --> 00:35:41,640
Teddy, you good? Yeah, I'm good.

704
00:35:42,500 --> 00:35:43,520
Let me see your hand.

705
00:35:43,860 --> 00:35:44,860
I got you, Teddy.

706
00:35:44,940 --> 00:35:49,120
Put me on your back. Colin and Teddy
subdue the men in the van.

707
00:35:49,760 --> 00:35:50,638
Lay down.

708
00:35:50,640 --> 00:35:52,420
Bill cuffs Pasha from behind.

709
00:35:53,960 --> 00:35:54,960
You good?

710
00:35:55,000 --> 00:35:56,000
Yeah.

711
00:35:57,070 --> 00:36:00,250
Here, let's cut these. A haggard Victor
steps out of the car.

712
00:36:00,890 --> 00:36:03,710
Bill pushes Pasha onto a pile of gravel.

713
00:36:04,270 --> 00:36:07,190
Victor staggers towards Pasha with a
menacing glare.

714
00:36:07,890 --> 00:36:09,330
Bill withdraws his phone.

715
00:36:11,710 --> 00:36:14,330
Victor takes his gun and points it at
Pasha.

716
00:36:14,610 --> 00:36:17,330
Victor, don't do it. Victor, Victor.
Drop it.

717
00:36:18,510 --> 00:36:19,850
Victor, don't.

718
00:36:20,730 --> 00:36:24,250
I thought I taught you better than this.
He seethes with rage.

719
00:36:24,590 --> 00:36:26,270
Pasha looks away dismissively.

720
00:36:26,960 --> 00:36:28,560
You taught me nothing.

721
00:36:29,660 --> 00:36:30,880
Victor nods sadly.

722
00:36:31,560 --> 00:36:32,940
It appears so.

723
00:36:34,500 --> 00:36:37,700
His arm trembles as he holds his gun
fixed on Pasha.

724
00:36:39,520 --> 00:36:42,180
Victor lowers his arm and sways on his
feet.

725
00:36:43,720 --> 00:36:50,260
He hands Victor's gun to Bill and

726
00:36:50,260 --> 00:36:51,700
leads Victor back to the car.

727
00:36:52,760 --> 00:36:55,140
Bill retrieves his phone and makes a
call.

728
00:36:56,930 --> 00:37:00,190
FBI agent Bill Goodman need hand bow and
a backup. The Vernon and Queensborough

729
00:37:00,190 --> 00:37:01,190
plaza south.

730
00:37:01,470 --> 00:37:04,890
Back at headquarters, Nikki climbs the
stairs to her office.

731
00:37:05,610 --> 00:37:07,050
The senator waits for her.

732
00:37:08,210 --> 00:37:09,550
Your Russians are on a plane.

733
00:37:10,070 --> 00:37:11,290
Wheels up within the hour.

734
00:37:11,750 --> 00:37:12,750
Courtesy of state.

735
00:37:12,830 --> 00:37:13,788
So I hear.

736
00:37:13,790 --> 00:37:16,030
I had a frank conversation with the
ambassador.

737
00:37:16,570 --> 00:37:17,650
The line was crossed.

738
00:37:17,910 --> 00:37:21,010
I made it very clear what happens if
it's crossed again.

739
00:37:23,490 --> 00:37:24,710
You ran a clean up today.

740
00:37:25,230 --> 00:37:26,230
I'll give you that.

741
00:37:26,510 --> 00:37:27,510
Thank you.

742
00:37:27,990 --> 00:37:30,510
But you didn't take the shuttle all the
way up from D.C. to tell me that.

743
00:37:31,150 --> 00:37:32,150
No, I didn't.

744
00:37:33,790 --> 00:37:36,630
You're heating up your search to fill
the empty chief of station job.

745
00:37:36,730 --> 00:37:40,130
Politically speaking, you have to
interview a sitting deputy, but I'll

746
00:37:40,130 --> 00:37:41,190
make it easy for you, Stan.

747
00:37:41,690 --> 00:37:42,690
They both said.

748
00:37:43,010 --> 00:37:45,430
When I told D.C.I. I didn't want the
job, I meant it.

749
00:37:46,510 --> 00:37:50,010
Endless bureaucratic meetings, kissing
up to politicians at best.

750
00:37:51,090 --> 00:37:54,070
I really like doing real spy work.

751
00:37:55,150 --> 00:37:56,150
Well, that's good to know.

752
00:37:56,470 --> 00:37:57,870
But that's not why I'm here.

753
00:37:58,170 --> 00:37:59,170
Her smile fades.

754
00:38:00,890 --> 00:38:04,490
How much do you know about Felix
Vincent?

755
00:38:05,170 --> 00:38:07,470
Nikki quirks her head and chuckles.

756
00:38:08,850 --> 00:38:10,350
Colin holds Victor upright.

757
00:38:11,130 --> 00:38:13,190
All right. They enter the Lincoln
Center.

758
00:38:13,710 --> 00:38:14,710
There she is.

759
00:38:14,810 --> 00:38:19,350
A brunette woman in a blue floor-length
gown takes the stage carrying a cello.

760
00:38:19,550 --> 00:38:20,550
Stay.

761
00:38:21,930 --> 00:38:22,930
Right here.

762
00:38:25,290 --> 00:38:27,250
Colin eases Victor into a seat.

763
00:38:27,890 --> 00:38:30,510
Victor's face is pallid. His eyes are
sunken.

764
00:38:31,110 --> 00:38:32,370
The cellist begins.

765
00:38:34,170 --> 00:38:35,570
You're right, she is beautiful.

766
00:38:39,610 --> 00:38:42,990
And when this is finished, I'll take you
up to the stage so you can say goodbye

767
00:38:42,990 --> 00:38:44,070
properly. No.

768
00:38:45,930 --> 00:38:47,530
I broke her heart once.

769
00:38:48,550 --> 00:38:49,970
I'm not going to do it again.

770
00:38:50,630 --> 00:38:53,930
He watches wistfully as she presses her
bow to the strings.

771
00:39:04,430 --> 00:39:07,050
Victor watches blissfully with a glassy
gaze.

772
00:39:19,190 --> 00:39:20,750
Colin leans in to Victor.

773
00:39:21,610 --> 00:39:26,230
Do you ever regret the decision you made
about this life?

774
00:39:29,490 --> 00:39:31,530
Victor. Victor is unmoving.

775
00:39:31,890 --> 00:39:33,710
His eyes are fixed on the stage.

776
00:39:40,940 --> 00:39:44,920
Tears well in Colin's eyes, and he turns
back to the performance.

777
00:39:45,920 --> 00:39:48,660
Victor continues to watch, heavy lidded.

778
00:39:50,220 --> 00:39:51,540
Bill is at the office.

779
00:39:52,360 --> 00:39:54,840
He checks his watch and fills out
paperwork.

780
00:39:56,420 --> 00:39:58,640
He reads a document from an open folder.

781
00:39:59,380 --> 00:40:01,200
It's a list of Victor's transactions.

782
00:40:03,240 --> 00:40:06,540
Bill looks away with a heavy sigh and
shuts the folder.

783
00:40:07,640 --> 00:40:09,740
Colin is in his investigation room.

784
00:40:10,990 --> 00:40:12,830
His face pours over the murder board.

785
00:40:13,550 --> 00:40:15,790
Colin puts a trash can on his desk.

786
00:40:16,630 --> 00:40:20,970
Later, he removes items from the murder
board, tossing them into a burning trash

787
00:40:20,970 --> 00:40:21,970
can behind him.

788
00:40:24,230 --> 00:40:28,710
Colin's eyes are dewy as he picks out
the pushpins, tossing the documents into

789
00:40:28,710 --> 00:40:29,710
the trash.

790
00:40:30,310 --> 00:40:31,310
Time passes.

791
00:40:31,430 --> 00:40:34,530
The flames rise higher as the murder
board empties.

792
00:40:35,730 --> 00:40:38,130
Colin grabs a cluster of photos in his
hand.

793
00:40:38,440 --> 00:40:40,460
and tosses them into the flames one by
one.

794
00:40:41,100 --> 00:40:43,180
A lone photo remains on the board.

795
00:40:44,580 --> 00:40:45,980
It's a photo of Tony.

796
00:40:47,460 --> 00:40:51,660
He removes the pin from the photo, then
holds it over the flaming can.

797
00:40:53,600 --> 00:40:59,620
He stares deeply at the photo of Tony,
then swallows and crosses the room to a

798
00:40:59,620 --> 00:41:00,620
nearby shelf.

799
00:41:01,560 --> 00:41:05,120
Colin takes a locked case from the shelf
and puts it on the desk.

800
00:41:05,800 --> 00:41:11,060
He opens it and puts the photo of Tony
inside, atop a passport and next to a

801
00:41:11,060 --> 00:41:12,060
stack of money.

802
00:41:13,820 --> 00:41:16,140
Colin closes the case and shakes his
head.

803
00:41:17,160 --> 00:41:18,900
Bill is on the couch with Katie.

804
00:41:19,960 --> 00:41:21,640
This is really nice.

805
00:41:23,560 --> 00:41:27,220
I got that salmon to make for dinner,
but I don't really want to get up.

806
00:41:28,840 --> 00:41:30,280
You want to just order in?

807
00:41:31,060 --> 00:41:32,740
She strokes his head tenderly.

808
00:41:33,120 --> 00:41:34,860
Bill stares back, emotional.

809
00:41:35,400 --> 00:41:36,400
Sweetie.

810
00:41:38,620 --> 00:41:39,620
What's wrong?

811
00:41:39,980 --> 00:41:41,400
Bill's eyes are misty.

812
00:41:43,440 --> 00:41:46,640
The other day I found out my dad worked
for the CIA.

813
00:41:46,960 --> 00:41:48,500
Katie recoils with surprise.

814
00:41:49,360 --> 00:41:54,420
What do you mean? That's crazy.

815
00:41:55,020 --> 00:41:56,740
Yeah, it's quite a shock.

816
00:41:56,980 --> 00:41:59,120
She sits up in her chair and leans in.

817
00:42:00,480 --> 00:42:01,760
How did you find out?

818
00:42:02,660 --> 00:42:03,660
How do you know?

819
00:42:04,120 --> 00:42:05,820
Bill takes Katie's hand in his.

820
00:42:06,840 --> 00:42:09,560
Well? He gives her a solemn look.

821
00:42:12,600 --> 00:42:13,720
I guess so do I.

822
00:42:14,380 --> 00:42:15,780
Katie's mouth hangs open.

823
00:42:18,680 --> 00:42:20,940
Executive Producer Dick Wolf

824
00:42:20,940 --> 00:42:27,880
End credits.

825
00:42:28,120 --> 00:42:31,600
The preceding story was fictional. No
actual person, event, or entity was

826
00:42:31,600 --> 00:42:32,600
depicted.

827
00:42:32,880 --> 00:42:38,160
Unit Production Manager, Paul Kabad.
First Assistant Director, Adam

828
00:42:38,160 --> 00:42:41,040
Weisinger. Key Hairstylist, Wendy Evans.

829
00:42:41,400 --> 00:42:43,420
Location Manager, Mark Lake.

830
00:42:43,680 --> 00:42:45,900
Additional Music, John Marston.

831
00:42:46,620 --> 00:42:49,360
Wolf Entertainment, CBS Studios.

832
00:42:49,800 --> 00:42:51,140
Universal Tele...